This study examines nasep music as a crucial cultural mechanism for identity construction and preservation within Muslim communities in southern Thailand. Through ethnomusicological analysis combining structural musical examination with cultural studies methodology, this research reveals how nasep functions as both artistic expression and social cohesion tool in multicultural Thai society. The investigation focuses on the intricate melodic structures and rhythmic patterns that distinguish nasep from mainstream Thai music, demonstrating how Malay musical influences have been adapted and integrated within local Islamic religious contexts. Analysis of representative songs reveals sophisticated techniques including ornamental vocal styling, multilingual textual composition spanning Malay, Arabic, and Thai languages, and innovative instrumental arrangements that blend traditional percussion instruments like ramana drums with contemporary accordions and bongos. Findings indicate that nasep serves multiple sociocultural functions beyond entertainment, operating as a medium for religious instruction, community solidarity building, and cultural boundary maintenance. The music's adaptability to various ceremonial contexts, from nikah weddings to religious festivals, demonstrates remarkable cultural flexibility while preserving core Islamic values and Malay aesthetic sensibilities. The study contributes to broader understanding of how minority musical traditions navigate globalization pressures while maintaining authenticity. Nasep exemplifies successful cultural adaptation strategies that enable traditional arts to remain relevant for younger generations without compromising fundamental identity markers. This research offers valuable insights into music's role as cultural capital in multicultural societies, particularly regarding how peripheral communities employ artistic practices to assert identity and resist cultural homogenization.

Authors:
Chanaporn Sangngam, Phuket Rajabhat University, Thailand

About the Presenter(s)
Chanaporn Sangngam is Ph.D. Candidate in Musicology, College of Music, Mahidol University,Thailand. Chanaporn intersted in musicology, gender, ethnomusicology and musiceducation Chanaporn's dissertation is Women role in the culture of Piphat music.

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