This paper explores the common aesthetic principles in design between China and Europe, using blue-and-white porcelain (BWP) as a key symbol of cross-cultural exchange. Through interviews with experts in aesthetics and art theory, ceramic art, visual communication design, and urban landscape design, this study examines how core design elements—particularly the iconic combination of blue on white—have transcended cultural boundaries and influenced historical and contemporary practices. The findings reveal that, despite cultural differences, certain universal design principles emerge, contributing to a shared visual language that bridges East and West. By analyzing BWP’s role as a cultural connector, this research highlights its potential to inspire innovative modern designs that integrate traditional aesthetics with contemporary needs.

Authors:
Meizi Gu, University of Lisbon, Portugal
Anita Fang Chen, Chinese Academy of Science, China

About the Presenter(s)
Ms Meizi Gu is currently a fourth-year PhD candidate in Design at the Lisbon School of Architecture, University of Lisbon, Portugal.

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